MADONNA and CHILD

 
Italians termed this style "Chiaroscuro" a mixture of India Ink and water. I chose to paint the classical theme of "Madonna and Child" in India Ink. This icon has endured for centuries. Earlier paintings consisted of angels, clergymen, and commissioners staged inside churches or in landscape settings. The Byzantine and Renaissance era yielded several influential citizens who were politically motivated to sponser her image. Driven by religious purposes, clergymen promoted the movement of her icon throughout Europe and beyond. Above are three samples from the past.
 
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